{"id":4143,"date":"2025-11-26T21:34:33","date_gmt":"2025-11-26T20:34:33","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=4143"},"modified":"2025-11-26T21:34:34","modified_gmt":"2025-11-26T20:34:34","slug":"ferdinand-bol","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2025\/11\/26\/ferdinand-bol\/","title":{"rendered":"Ferdinand Bol"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"4143\" class=\"elementor elementor-4143\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-19f70c4 e-flex e-con-boxed e-con e-parent\" data-id=\"19f70c4\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e1b57d3 elementor-widget elementor-widget-text-editor\" data-id=\"e1b57d3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2>Ferdinand Bol (1616\u20131680)<\/h2><p data-path-to-node=\"3\">Ferdinand Bol by\u0142 <b>holenderskim malarzem, rysownikiem i akwaforcist\u0105 Z\u0142otego Wieku malarstwa holenderskiego<\/b>, znanym g\u0142\u00f3wnie z portret\u00f3w, a tak\u017ce dzie\u0142 historycznych i religijnych. By\u0142 jednym z najbardziej utalentowanych uczni\u00f3w <b>Rembrandta van Rijn<\/b> i odegra\u0142 znacz\u0105c\u0105 rol\u0119 w amsterdamskiej scenie artystycznej po\u0142owy XVII wieku.<\/p><h3>\ud83c\udfa8 \u017byciorys<\/h3><p data-path-to-node=\"6\">Ferdinand Bol urodzi\u0142 si\u0119 w Dordrechcie w 1616 roku. Jego ojciec, Cornelis Bol, by\u0142 chirurgiem. Wiadomo, \u017ce artystyczn\u0105 edukacj\u0119 rozpocz\u0105\u0142 prawdopodobnie w Utrechcie lub w Dordrechcie u Jacoba Gerritsza Cuypa. Oko\u0142o 1635 roku przeni\u00f3s\u0142 si\u0119 do <b>Amsterdamu<\/b>, gdzie wst\u0105pi\u0142 do pracowni Rembrandta.<\/p><p data-path-to-node=\"7\">Wp\u0142yw Rembrandta by\u0142 dla Bola decyduj\u0105cy. Pozosta\u0142 jego uczniem a\u017c do wczesnych lat 40. XVII wieku, by nast\u0119pnie za\u0142o\u017cy\u0107 w\u0142asn\u0105 pracowni\u0119, staj\u0105c si\u0119 wkr\u00f3tce jednym z czo\u0142owych portrecist\u00f3w Amsterdamu. O\u017ceni\u0142 si\u0119 dwukrotnie: najpierw w 1653 roku z Elisabeth Dell, a po jej \u015bmierci w 1669 roku, z Ann\u0105 van Erckel, zamo\u017cn\u0105 wdow\u0105, c\u00f3rk\u0105 burmistrza. Drugie ma\u0142\u017ce\u0144stwo przynios\u0142o mu znaczny status spo\u0142eczny i finansowy, co ostatecznie doprowadzi\u0142o do <b>zako\u0144czenia jego kariery malarskiej<\/b> oko\u0142o 1675 roku. Zmar\u0142 w Amsterdamie w 1680 roku.<\/p><h3>\ud83d\uddbc\ufe0f Tw\u00f3rczo\u015b\u0107 i Styl<\/h3><p data-path-to-node=\"10\">Wczesna tw\u00f3rczo\u015b\u0107 Bola jest <b>niezwykle bliska stylowi Rembrandta<\/b>. Charakteryzuje si\u0119 ona:<\/p><ul data-path-to-node=\"11\"><li><p data-path-to-node=\"11,0,0\"><b>Dramatycznym \u015bwiat\u0142ocieniem (chiaroscuro):<\/b> Silne kontrasty \u015bwiat\u0142a i cienia, cz\u0119sto wydobywaj\u0105ce postacie z mrocznego t\u0142a.<\/p><\/li><li><p data-path-to-node=\"11,1,0\"><b>Intensywn\u0105 ekspresj\u0105:<\/b> Skupienie na psychologii postaci w portretach.<\/p><\/li><li><p data-path-to-node=\"11,2,0\"><b>Bogactwem impasto i grubej farby:<\/b> Zw\u0142aszcza w przedstawieniach szczeg\u00f3\u0142\u00f3w, takich jak bi\u017cuteria czy tkaniny.<\/p><\/li><\/ul><p data-path-to-node=\"12\">Po opuszczeniu pracowni Rembrandta, styl Bola ewoluowa\u0142, dostosowuj\u0105c si\u0119 do panuj\u0105cych gust\u00f3w zamo\u017cnej klienteli. Jego dojrza\u0142e prace, cho\u0107 wci\u0105\u017c technicznie doskona\u0142e, stawa\u0142y si\u0119 <b>bardziej eleganckie, wyrafinowane i g\u0142adkie<\/b>, trac\u0105c nieco z rembrandtowego dramatyzmu na rzecz <b>klasycyzuj\u0105cego stylu<\/b> popularnego w latach 60. i 70. XVII wieku. Twarzom nadawa\u0142 ja\u015bniejszy koloryt, a kompozycje stawa\u0142y si\u0119 bardziej formalne i dekoracyjne.<\/p><p data-path-to-node=\"13\">Bol specjalizowa\u0142 si\u0119 w:<\/p><ol start=\"1\" data-path-to-node=\"14\"><li><p data-path-to-node=\"14,0,0\"><b>Portretach:<\/b> Liczne portrety cz\u0142onk\u00f3w wp\u0142ywowych rodzin amsterdamskich, w tym portrety grupowe dla gildii i regent\u00f3w.<\/p><\/li><li><p data-path-to-node=\"14,1,0\"><b>Dzie\u0142ach historycznych i religijnych:<\/b> Tworzy\u0142 du\u017ce kompozycje dla instytucji publicznych i prywatnych kolekcjoner\u00f3w, cz\u0119sto przedstawiaj\u0105ce tematy mitologiczne lub biblijne. By\u0142 autorem dekoracji malarskich m.in. dla amsterdamskiego Ratusza (obecnie Pa\u0142ac Kr\u00f3lewski).<\/p><\/li><\/ol><h3>\ud83c\udfdb\ufe0f Wybrane Dzie\u0142a<\/h3><ul data-path-to-node=\"17\"><li><p data-path-to-node=\"17,0,0\"><b><i>Portret czterech regentek leprozorium w Amsterdamie<\/i><\/b> (1668) \u2013 Przyk\u0142ad jego portret\u00f3w grupowych.<\/p><\/li><li><p data-path-to-node=\"17,1,0\"><b><i>Alegoria Pokoju<\/i><\/b> (ok. 1658) \u2013 Monumentalne dzie\u0142o historyczne.<\/p><\/li><li><p data-path-to-node=\"17,2,0\"><b><i>Jakubowi pokazano zakrwawion\u0105 szat\u0119 J\u00f3zefa<\/i><\/b> (ok. 1640) \u2013 Wczesne dzie\u0142o wykazuj\u0105ce silny wp\u0142yw Rembrandta.<\/p><\/li><li><p data-path-to-node=\"17,3,0\"><b><i>Portret Elisabeth Dell<\/i><\/b> (\u017cony malarza).<\/p><\/li><\/ul><h3>\ud83d\udcda Dziedzictwo<\/h3><p data-path-to-node=\"20\">Ferdinand Bol by\u0142 niezwykle popularnym i <b>zamo\u017cnym artyst\u0105<\/b> za \u017cycia, cenionym zw\u0142aszcza za umiej\u0119tno\u015b\u0107 uchwycenia dostojno\u015bci i statusu portretowanych. Chocia\u017c jego p\u00f3\u017aniejszy styl odszed\u0142 od intymnego dramatyzmu Rembrandta, jego tw\u00f3rczo\u015b\u0107 pozostaje kluczowym elementem holenderskiego malarstwa Z\u0142otego Wieku, stanowi\u0105c pomost mi\u0119dzy wczesnym, burzliwym stylem Rembrandta a p\u00f3\u017aniejszym, bardziej formalnym klasycyzmem.<\/p><h3>\ud83d\udcdc Bibliografia<\/h3><ul data-path-to-node=\"23\"><li><p data-path-to-node=\"23,0,0\">Blankert, A. (1982). <i>Ferdinand Bol (1616\u20131680): Rembrandt&#8217;s Pupil<\/i>. Davaco Publishers.<\/p><\/li><li><p data-path-to-node=\"23,1,0\">Groot, C. (2016). <i>Ferdinand Bol: The Painter and His Circle<\/i>. Amsterdam University Press.<\/p><\/li><li><p data-path-to-node=\"23,2,0\">Schwartz, G. (1984). <i>Rembrandt, His Life, His Paintings<\/i>. Viking Press.<\/p><\/li><li><p data-path-to-node=\"23,3,0\">Wetering, E. van de. (2014). <i>Rembrandt: The Painter at Work<\/i>. Amsterdam University Press.<\/p><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-150b995 e-flex e-con-boxed e-con e-parent\" data-id=\"150b995\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-83f6256 elementor-widget elementor-widget-penci-image-gallery\" data-id=\"83f6256\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"28755\" id=\"penci-image_gallery_28755\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>Ferdinand Bol - Galeria obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Autoportret-ok.-1669.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Autoportret (ok. 1669)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.44444444%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Autoportret-ok.-1669-585x728.jpg\" alt=\"Autoportret (ok. 1669)\" title=\"Autoportret (ok. 1669)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Dama-grajaca-na-lutni-1654.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dama graj\u0105ca na lutni (1654)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:126.66666667%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Dama-grajaca-na-lutni-1654-585x741.jpg\" alt=\"Dama graj\u0105ca na lutni (1654)\" title=\"Dama graj\u0105ca na lutni (1654)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Dowodca-armii-Bozej-ukazuje-sie-Jozuemu-1660-1663.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dow\u00f3dca armii Bo\u017cej ukazuje si\u0119 Jozuemu (1660-1663)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:153.50427350%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Dowodca-armii-Bozej-ukazuje-sie-Jozuemu-1660-1663-585x898.jpg\" alt=\"Dow\u00f3dca armii Bo\u017cej ukazuje si\u0119 Jozuemu (1660-1663)\" title=\"Dow\u00f3dca armii Bo\u017cej ukazuje si\u0119 Jozuemu (1660-1663)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Eneasz-na-dworze-Latynusa-ok.-1661-\u2013-ok.-1663.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Eneasz na dworze Latynusa (ok. 1661 \u2013 ok. 1663)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:94.87179487%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Eneasz-na-dworze-Latynusa-ok.-1661-\u2013-ok.-1663-585x555.jpg\" alt=\"Eneasz na dworze Latynusa (ok. 1661 \u2013 ok. 1663)\" title=\"Eneasz na dworze Latynusa (ok. 1661 \u2013 ok. 1663)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Eneasz-otrzymuje-nowa-zbroje-od-Wenus-1660-1663.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Eneasz otrzymuje now\u0105 zbroj\u0119 od Wenus (1660-1663)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:98.80341880%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Eneasz-otrzymuje-nowa-zbroje-od-Wenus-1660-1663-585x578.jpg\" alt=\"Eneasz otrzymuje now\u0105 zbroj\u0119 od Wenus (1660-1663)\" title=\"Eneasz otrzymuje now\u0105 zbroj\u0119 od Wenus (1660-1663)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Ferdinand-Bol-\u2013-Autoportret-1653.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ferdinand Bol \u2013 Autoportret (1653)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:128.03418803%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Ferdinand-Bol-\u2013-Autoportret-1653-585x749.jpg\" alt=\"Ferdinand Bol \u2013 Autoportret (1653)\" title=\"Ferdinand Bol \u2013 Autoportret (1653)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Jan-van-der-Voort-i-jego-siostra-Catharina-ze-sluzaca.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ferdinand Bol \u2013 Jan van der Voort i jego siostra Catharina ze s\u0142u\u017c\u0105c\u0105\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:84.10256410%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Jan-van-der-Voort-i-jego-siostra-Catharina-ze-sluzaca-585x492.jpg\" alt=\"Ferdinand Bol \u2013 Jan van der Voort i jego siostra Catharina ze s\u0142u\u017c\u0105c\u0105\" title=\"Ferdinand Bol \u2013 Jan van der Voort i jego siostra Catharina ze s\u0142u\u017c\u0105c\u0105\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Kobieta-przy-toaletce-miedzy-1643-a-1647-rokiem.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Kobieta przy toaletce (mi\u0119dzy 1643 a 1647 rokiem)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:141.09347443%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Kobieta-przy-toaletce-miedzy-1643-a-1647-rokiem.jpg\" alt=\"Kobieta przy toaletce (mi\u0119dzy 1643 a 1647 rokiem)\" title=\"Kobieta przy toaletce (mi\u0119dzy 1643 a 1647 rokiem)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Margarita-Trip-jako-Minerwa-instruujaca-swoja-siostre-Anne-Marie-Trip-1663.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Margarita Trip jako Minerwa instruuj\u0105ca swoj\u0105 siostr\u0119 Ann\u0119 Mari\u0119 Trip (1663)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:115.89743590%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Margarita-Trip-jako-Minerwa-instruujaca-swoja-siostre-Anne-Marie-Trip-1663-585x678.jpg\" alt=\"Margarita Trip jako Minerwa instruuj\u0105ca swoj\u0105 siostr\u0119 Ann\u0119 Mari\u0119 Trip (1663)\" title=\"Margarita Trip jako Minerwa instruuj\u0105ca swoj\u0105 siostr\u0119 Ann\u0119 Mari\u0119 Trip (1663)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Mojzesz-schodzi-z-gory-Synaj-z-Dziesiecioma-Przykazaniami-1662.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Moj\u017cesz schodzi z g\u00f3ry Synaj z Dziesi\u0119cioma Przykazaniami (1662)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:148.54700855%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Mojzesz-schodzi-z-gory-Synaj-z-Dziesiecioma-Przykazaniami-1662-585x869.jpg\" alt=\"Moj\u017cesz schodzi z g\u00f3ry Synaj z Dziesi\u0119cioma Przykazaniami (1662)\" title=\"Moj\u017cesz schodzi z g\u00f3ry Synaj z Dziesi\u0119cioma Przykazaniami (1662)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Negocjacje-pokojowe-pomiedzy-Claudiusem-Civilisem-i-Quintusem-Petilliusem-Cerealisem-na-zburzonym-moscie-1658-1662.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Negocjacje pokojowe pomi\u0119dzy Claudiusem Civilisem i Quintusem Petilliusem Cerealisem na zburzonym mo\u015bcie (1658 - 1662)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span 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class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Rada-wojenna-milicji-Gouda-pod-przewodnictwem-pulkownika-Goverta-Suijsa-1653.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Rada wojenna milicji Gouda pod przewodnictwem pu\u0142kownika Goverta Suijsa (1653)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:85.12820513%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Rada-wojenna-milicji-Gouda-pod-przewodnictwem-pulkownika-Goverta-Suijsa-1653-585x498.jpg\" alt=\"Rada wojenna milicji Gouda pod przewodnictwem pu\u0142kownika Goverta Suijsa (1653)\" title=\"Rada wojenna milicji Gouda pod przewodnictwem pu\u0142kownika Goverta Suijsa (1653)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a 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data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_28755\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:71.79487179%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/11\/Wenus-i-Adonis-ok.-1658-585x420.jpg\" alt=\"Ferdinand Bol - Wenus i Adonis (ok. 1658)\" title=\"Ferdinand Bol &#8211; Wenus i Adonis (ok. 1658)\"><\/div><\/a><\/div><\/div><\/div>            <\/div>\n        <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Ferdinand Bol (1616\u20131680) Ferdinand Bol by\u0142 holenderskim malarzem, rysownikiem i akwaforcist\u0105 Z\u0142otego Wieku malarstwa holenderskiego, znanym g\u0142\u00f3wnie z portret\u00f3w, a tak\u017ce dzie\u0142 historycznych i religijnych. By\u0142 jednym z najbardziej utalentowanych&hellip;<\/p>\n","protected":false},"author":1,"featured_media":4153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[49],"tags":[104],"class_list":["post-4143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-barok","tag-holenderski-malarz"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ferdinand Bol - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"Ferdinand Bol by\u0142 holenderskim malarzem, rysownikiem i akwaforcist\u0105 Z\u0142otego Wieku malarstwa holenderskiego...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2025\/11\/26\/ferdinand-bol\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ferdinand Bol - 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