{"id":3953,"date":"2025-03-14T10:18:52","date_gmt":"2025-03-14T09:18:52","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=3953"},"modified":"2025-03-25T10:22:10","modified_gmt":"2025-03-25T09:22:10","slug":"elementor-3953","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2025\/03\/14\/elementor-3953\/","title":{"rendered":"Agnolo Bronzino"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3953\" class=\"elementor elementor-3953\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0f915e8 e-flex e-con-boxed e-con e-parent\" data-id=\"0f915e8\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-836a506 e-flex e-con-boxed e-con e-parent\" data-id=\"836a506\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a2f551f elementor-widget elementor-widget-text-editor\" data-id=\"a2f551f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h3 class=\"\" data-start=\"0\" data-end=\"49\"><strong data-start=\"4\" data-end=\"47\">Agnolo Bronzino \u2013 Biografia i Tw\u00f3rczo\u015b\u0107<\/strong><\/h3><h4 class=\"\" data-start=\"51\" data-end=\"70\"><strong data-start=\"56\" data-end=\"68\">Wst\u0119p<\/strong><\/h4><p class=\"\" data-start=\"71\" data-end=\"365\">Agnolo Bronzino (1503\u20131572) by\u0142 wybitnym w\u0142oskim malarzem okresu manieryzmu. Jego dzie\u0142a charakteryzuj\u0105 si\u0119 wyrafinowan\u0105 elegancj\u0105, precyzj\u0105 detalu oraz wyidealizowanym przedstawieniem postaci. By\u0142 nadwornym malarzem ksi\u0119cia Kosmy I Medyceusza i jednym z najwa\u017cniejszych portrecist\u00f3w XVI wieku.<\/p><h4 class=\"\" data-start=\"372\" data-end=\"402\"><strong data-start=\"377\" data-end=\"400\">\u017bycie i Edukacja<\/strong><\/h4><p class=\"\" data-start=\"403\" data-end=\"691\">Agnolo di Cosimo, znany jako Bronzino, urodzi\u0142 si\u0119 17 listopada 1503 roku we Florencji. Jego przydomek \u201eBronzino\u201d m\u00f3g\u0142 odnosi\u0107 si\u0119 do koloru jego w\u0142os\u00f3w lub karnacji. By\u0142 uczniem Jacopa Pontorma, czo\u0142owego przedstawiciela manieryzmu, kt\u00f3rego styl znacz\u0105co wp\u0142yn\u0105\u0142 na jego wczesne prace.<\/p><p class=\"\" data-start=\"693\" data-end=\"926\">W 1539 roku Bronzino zosta\u0142 nadwornym malarzem Kosmy I Medyceusza, co zapewni\u0142o mu stabilno\u015b\u0107 finansow\u0105 i liczne presti\u017cowe zam\u00f3wienia. Przez wi\u0119kszo\u015b\u0107 \u017cycia dzia\u0142a\u0142 we Florencji, gdzie pozostawi\u0142 po sobie bogaty dorobek artystyczny.<\/p><h4 class=\"\" data-start=\"933\" data-end=\"962\"><strong data-start=\"938\" data-end=\"960\">Styl i Technika<\/strong><\/h4><p class=\"\" data-start=\"963\" data-end=\"1009\">Bronzino rozwija\u0142 styl charakteryzuj\u0105cy si\u0119:<\/p><ul data-start=\"1010\" data-end=\"1408\"><li class=\"\" data-start=\"1010\" data-end=\"1122\"><p class=\"\" data-start=\"1012\" data-end=\"1122\"><strong data-start=\"1012\" data-end=\"1035\">Idealizacj\u0105 postaci<\/strong> \u2013 jego portrety s\u0105 ch\u0142odne, dystyngowane, z niezwykle g\u0142adkimi powierzchniami sk\u00f3ry.<\/p><\/li><li class=\"\" data-start=\"1123\" data-end=\"1220\"><p class=\"\" data-start=\"1125\" data-end=\"1220\"><strong data-start=\"1125\" data-end=\"1144\">Precyzj\u0105 detalu<\/strong> \u2013 starannie malowa\u0142 tkaniny, bi\u017cuteri\u0119 i inne elementy zdobi\u0105ce postacie.<\/p><\/li><li class=\"\" data-start=\"1221\" data-end=\"1313\"><p class=\"\" data-start=\"1223\" data-end=\"1313\"><strong data-start=\"1223\" data-end=\"1246\">Ch\u0142odn\u0105 kolorystyk\u0105<\/strong> \u2013 stosowa\u0142 wyraziste, czyste barwy i subtelne przej\u015bcia tonalne.<\/p><\/li><li class=\"\" data-start=\"1314\" data-end=\"1408\"><p class=\"\" data-start=\"1316\" data-end=\"1408\"><strong data-start=\"1316\" data-end=\"1344\">Teatralno\u015bci\u0105 kompozycji<\/strong> \u2013 jego postacie cz\u0119sto przyjmuj\u0105 sztuczne, wyrafinowane pozy.<\/p><\/li><\/ul><p class=\"\" data-start=\"1410\" data-end=\"1526\">Manieryzm Bronzina odznacza si\u0119 tak\u017ce intelektualn\u0105 gr\u0105 z widzem \u2013 jego obrazy s\u0105 pe\u0142ne alegorii i ukrytych znacze\u0144.<\/p><h4 class=\"\" data-start=\"1533\" data-end=\"1567\"><strong data-start=\"1538\" data-end=\"1565\">Najwa\u017cniejsze Dzie\u0142a<\/strong><\/h4><h5 class=\"\" data-start=\"1568\" data-end=\"1593\"><strong data-start=\"1574\" data-end=\"1591\">Portrety<\/strong><\/h5><p class=\"\" data-start=\"1594\" data-end=\"1680\">Bronzino zas\u0142yn\u0105\u0142 przede wszystkim jako portrecista. Jego najwa\u017cniejsze portrety to:<\/p><ul data-start=\"1681\" data-end=\"2131\"><li class=\"\" data-start=\"1681\" data-end=\"1819\"><p class=\"\" data-start=\"1683\" data-end=\"1819\"><em data-start=\"1683\" data-end=\"1712\">Eleanora Toleda\u0144ska z synem<\/em> (1545) \u2013 ikoniczny portret \u017cony Kosmy I Medyceusza w bogatej sukni, ukazuj\u0105cy status i majestat modelki.<\/p><\/li><li class=\"\" data-start=\"1820\" data-end=\"1960\"><p class=\"\" data-start=\"1822\" data-end=\"1960\"><em data-start=\"1822\" data-end=\"1864\">Portret Kosmy I Medyceusza jako Orfeusza<\/em> (c. 1537) \u2013 przedstawienie w\u0142adcy w mitologicznej roli, podkre\u015blaj\u0105ce jego erudycj\u0119 i w\u0142adz\u0119.<\/p><\/li><li class=\"\" data-start=\"1961\" data-end=\"2131\"><p class=\"\" data-start=\"1963\" data-end=\"2131\"><em data-start=\"1963\" data-end=\"2000\">Portret m\u0142odego m\u0119\u017cczyzny z ksi\u0105\u017ck\u0105<\/em> (ok. 1535) \u2013 uwa\u017cany za jeden z najbardziej wyrafinowanych portret\u00f3w manieryzmu, cechuj\u0105cy si\u0119 tajemnicz\u0105 aur\u0105 i eleganck\u0105 poz\u0105.<\/p><\/li><\/ul><h5 class=\"\" data-start=\"2133\" data-end=\"2169\"><strong data-start=\"2139\" data-end=\"2167\">Malarstwo Religijne<\/strong><\/h5><ul data-start=\"2170\" data-end=\"2444\"><li class=\"\" data-start=\"2170\" data-end=\"2311\"><p class=\"\" data-start=\"2172\" data-end=\"2311\"><em data-start=\"2172\" data-end=\"2206\">\u015awi\u0119ta Rodzina z ma\u0142ym \u015bw. Janem<\/em> \u2013 jedno z klasycznych dzie\u0142 religijnych Bronzina, podkre\u015blaj\u0105ce idealizacj\u0119 i wyrafinowan\u0105 kompozycj\u0119.<\/p><\/li><li class=\"\" data-start=\"2312\" data-end=\"2444\"><p class=\"\" data-start=\"2314\" data-end=\"2444\"><em data-start=\"2314\" data-end=\"2340\">M\u0119cze\u0144stwo \u015bw. Wawrzy\u0144ca<\/em> (1569) \u2013 monumentalna scena o dynamicznej kompozycji, zam\u00f3wiona do ko\u015bcio\u0142a San Lorenzo we Florencji.<\/p><\/li><\/ul><h5 class=\"\" data-start=\"2446\" data-end=\"2478\"><strong data-start=\"2452\" data-end=\"2476\">Alegorie i Mity<\/strong><\/h5><ul data-start=\"2479\" data-end=\"2719\"><li class=\"\" data-start=\"2479\" data-end=\"2636\"><p class=\"\" data-start=\"2481\" data-end=\"2636\"><em data-start=\"2481\" data-end=\"2511\">Alegoria mi\u0142o\u015bci i po\u017c\u0105dania<\/em> (ok. 1545) \u2013 jedno z najbardziej zagadkowych dzie\u0142 malarza, ukazuj\u0105ce skomplikowan\u0105 ikonografi\u0119 mi\u0142o\u015bci, zdrady i grzechu.<\/p><\/li><li class=\"\" data-start=\"2637\" data-end=\"2719\"><p class=\"\" data-start=\"2639\" data-end=\"2719\"><em data-start=\"2639\" data-end=\"2659\">Venus, Amor i Czas<\/em> \u2013 alegoryczne przedstawienie inspirowane sztuk\u0105 antyczn\u0105.<\/p><\/li><\/ul><h4 class=\"\" data-start=\"2726\" data-end=\"2759\"><strong data-start=\"2731\" data-end=\"2757\">Wp\u0142yw i Dziedzictwo<\/strong><\/h4><p class=\"\" data-start=\"2760\" data-end=\"3066\">Bronzino mia\u0142 ogromny wp\u0142yw na sztuk\u0119 manieryzmu, zw\u0142aszcza w zakresie portretu. Jego styl kontynuowali uczniowie, tacy jak Alessandro Allori. Jego dzie\u0142a inspirowa\u0142y p\u00f3\u017aniejszych malarzy i pozostaj\u0105 wa\u017cnym elementem kolekcji muzealnych, m.in. w Galerii Uffizi we Florencji i National Gallery w Londynie.<\/p><p class=\"\" data-start=\"3068\" data-end=\"3248\">Jego wp\u0142yw widoczny jest tak\u017ce w sztuce XIX i XX wieku, gdzie jego zimna elegancja i formalizm inspirowa\u0142y modernist\u00f3w poszukuj\u0105cych nowych sposob\u00f3w przedstawiania ludzkiej figury.<\/p><h4 class=\"\" data-start=\"3255\" data-end=\"3281\"><strong data-start=\"3260\" data-end=\"3279\">Bibliografia<\/strong><\/h4><ol data-start=\"3282\" data-end=\"3809\"><li class=\"\" data-start=\"3282\" data-end=\"3364\"><p class=\"\" data-start=\"3285\" data-end=\"3364\">Freedberg, S. J. <em data-start=\"3302\" data-end=\"3332\">Painting in Italy, 1500-1600<\/em>. Yale University Press, 1993.<\/p><\/li><li class=\"\" data-start=\"3365\" data-end=\"3436\"><p class=\"\" data-start=\"3368\" data-end=\"3436\">Hall, M. <em data-start=\"3377\" data-end=\"3404\">Bronzino: Artist and Poet<\/em>. Yale University Press, 2010.<\/p><\/li><li class=\"\" data-start=\"3437\" data-end=\"3568\"><p class=\"\" data-start=\"3440\" data-end=\"3568\">Cropper, E. <em data-start=\"3452\" data-end=\"3530\">The Florentine Academy and the Early Modern State: The Discipline of Disegno<\/em>. University of Chicago Press, 2000.<\/p><\/li><li class=\"\" data-start=\"3569\" data-end=\"3656\"><p class=\"\" data-start=\"3572\" data-end=\"3656\">Syson, L. <em data-start=\"3582\" data-end=\"3629\">Renaissance Portraits: The Power of the Image<\/em>. National Gallery, 2011.<\/p><\/li><li class=\"\" data-start=\"3657\" data-end=\"3809\"><p class=\"\" data-start=\"3660\" data-end=\"3809\">Strehlke, C. B. <em data-start=\"3676\" data-end=\"3772\">Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence<\/em>. Philadelphia Museum of Art, 2004.<\/p><\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-111ed8b e-flex e-con-boxed e-con e-parent\" data-id=\"111ed8b\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2edb6ae elementor-widget elementor-widget-penci-image-gallery\" data-id=\"2edb6ae\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"64568\" id=\"penci-image_gallery_64568\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>Agnolo Bronzino - galeria obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Eleonora-di-Toledo-c.-1560.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Agnolo Bronzino - Eleonora di Toledo (c. 1560)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_64568\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:133.50427350%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Eleonora-di-Toledo-c.-1560-585x781.jpg\" alt=\"Agnolo Bronzino - Eleonora di Toledo (c. 1560)\" title=\"Agnolo Bronzino &#8211; Eleonora di Toledo (c. 1560)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Swieta-Rodzina-ok.-1527-1528.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Agnolo Bronzino - \u015awi\u0119ta Rodzina (ok. 1527-1528)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_64568\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:131.62393162%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Swieta-Rodzina-ok.-1527-1528-585x770.jpg\" alt=\"Agnolo Bronzino - \u015awi\u0119ta Rodzina (ok. 1527-1528)\" title=\"Agnolo Bronzino &#8211; \u015awi\u0119ta Rodzina (ok. 1527-1528)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Zmartwychwstanie-Chrystusa.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Agnolo Bronzino - Zmartwychwstanie Chrystusa\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_64568\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:156.25000000%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Agnolo-Bronzino-Zmartwychwstanie-Chrystusa.jpg\" alt=\"Agnolo Bronzino - Zmartwychwstanie Chrystusa\" title=\"Agnolo Bronzino &#8211; Zmartwychwstanie Chrystusa\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dziewica-Zwiastowanie-1564.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dziewica - Zwiastowanie (1564)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_64568\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:258.63247863%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dziewica-Zwiastowanie-1564-585x1513.jpg\" alt=\"Dziewica - Zwiastowanie (1564)\" title=\"Dziewica &#8211; Zwiastowanie (1564)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Madonna-z-Dzieciatkiem-i-sw.-Janem-Chrzcicielem-ok.-1540.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem Chrzcicielem (ok. 1540)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_64568\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:129.05982906%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Madonna-z-Dzieciatkiem-i-sw.-Janem-Chrzcicielem-ok.-1540-585x755.jpg\" alt=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem Chrzcicielem (ok. 1540)\" title=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem Chrzcicielem (ok. 1540)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Madonna-z-Dzieciatkiem-sw.-Elzbieta-i-sw.-Janem-Chrzcicielem-1540\u20131545.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna z Dzieci\u0105tkiem, \u015bw. El\u017cbiet\u0105 i \u015bw. 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Jego dzie\u0142a charakteryzuj\u0105 si\u0119 wyrafinowan\u0105 elegancj\u0105, precyzj\u0105 detalu oraz wyidealizowanym przedstawieniem postaci. By\u0142 nadwornym&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[38],"tags":[42],"class_list":["post-3953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manieryzm","tag-wloski-malarz"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Agnolo Bronzino - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"Agnolo Bronzino (1503\u20131572) by\u0142 wybitnym w\u0142oskim malarzem okresu manieryzmu. 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