{"id":3763,"date":"2025-03-02T13:58:34","date_gmt":"2025-03-02T12:58:34","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=3763"},"modified":"2025-03-21T14:00:14","modified_gmt":"2025-03-21T13:00:14","slug":"henri-manguin","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2025\/03\/02\/henri-manguin\/","title":{"rendered":"Henri Manguin"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3763\" class=\"elementor elementor-3763\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1459908 e-flex e-con-boxed e-con e-parent\" data-id=\"1459908\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0c57b94 elementor-widget elementor-widget-text-editor\" data-id=\"0c57b94\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2 data-start=\"54\" data-end=\"71\"><strong data-start=\"57\" data-end=\"69\">Henri Charles Manguin &#8211; Wst\u0119p<\/strong><\/h2><p data-start=\"72\" data-end=\"323\">Henri Charles Manguin (1874\u20131949) by\u0142 francuskim malarzem postimpresjonistycznym, zaliczanym do nurtu fowizmu. Jego tw\u00f3rczo\u015b\u0107 charakteryzowa\u0142a si\u0119 \u017cyw\u0105 kolorystyk\u0105, dynamicznymi poci\u0105gni\u0119ciami p\u0119dzla i motywami pejza\u017cowymi, portretowymi oraz aktami.<\/p><h2 data-start=\"330\" data-end=\"358\"><strong data-start=\"333\" data-end=\"356\">\u017bycie i Edukacja<\/strong><\/h2><p data-start=\"359\" data-end=\"713\">Henri Manguin urodzi\u0142 si\u0119 23 marca 1874 roku w Pary\u017cu. W latach 1894\u20131898 studiowa\u0142 w \u00c9cole des Beaux-Arts pod kierunkiem Gustave&#8217;a Moreau, gdzie pozna\u0142 innych przysz\u0142ych fowist\u00f3w, takich jak Henri Matisse, Albert Marquet i Charles Camoin. Moreau zach\u0119ca\u0142 swoich uczni\u00f3w do eksperymentowania z kolorem, co mia\u0142o kluczowy wp\u0142yw na rozw\u00f3j stylu Manguina.<\/p><h2 data-start=\"720\" data-end=\"748\"><strong data-start=\"723\" data-end=\"746\">Styl i Tw\u00f3rczo\u015b\u0107<\/strong><\/h2><p data-start=\"749\" data-end=\"1005\">Manguin czerpa\u0142 inspiracj\u0119 z impresjonizmu i tw\u00f3rczo\u015bci Paula C\u00e9zanne\u2019a, ale jego paleta barw sta\u0142a si\u0119 bardziej intensywna, co zbli\u017cy\u0142o go do fowizmu. Jego obrazy odznaczaj\u0105 si\u0119 zastosowaniem jaskrawych, czystych kolor\u00f3w i swobodnym podej\u015bciem do formy.<\/p><h3 data-start=\"1007\" data-end=\"1041\"><strong data-start=\"1011\" data-end=\"1039\">Motywy w Tw\u00f3rczo\u015bci<\/strong><\/h3><p data-start=\"1042\" data-end=\"1089\">W swoich pracach Manguin cz\u0119sto przedstawia\u0142:<\/p><ul data-start=\"1090\" data-end=\"1436\"><li data-start=\"1090\" data-end=\"1218\"><strong data-start=\"1092\" data-end=\"1121\">Pejza\u017ce \u015br\u00f3dziemnomorskie<\/strong> \u2013 malowa\u0142 widoki Lazurowego Wybrze\u017ca, szczeg\u00f3lnie okolic Saint-Tropez, gdzie cz\u0119sto przebywa\u0142.<\/li><li data-start=\"1219\" data-end=\"1323\"><strong data-start=\"1221\" data-end=\"1250\">Sceny rodzajowe i wn\u0119trza<\/strong> \u2013 ukazywa\u0142 codzienne \u017cycie, przywi\u0105zuj\u0105c wag\u0119 do gry \u015bwiat\u0142a i koloru.<\/li><li data-start=\"1324\" data-end=\"1436\"><strong data-start=\"1326\" data-end=\"1342\">Akty kobiece<\/strong> \u2013 jego akty, zw\u0142aszcza przedstawienia \u017cony, Jeanne, cechowa\u0142y si\u0119 delikatno\u015bci\u0105 i harmoni\u0105.<\/li><\/ul><h2 data-start=\"1443\" data-end=\"1471\"><strong data-start=\"1446\" data-end=\"1469\">Fowizm i Wystawy<\/strong><\/h2><p data-start=\"1472\" data-end=\"1805\">W 1905 roku Manguin wzi\u0105\u0142 udzia\u0142 w historycznej wystawie w Salonie Jesiennym w Pary\u017cu, gdzie jego obrazy zaprezentowano obok dzie\u0142 Henriego Matisse\u2019a, Andr\u00e9 Deraina i Maurice\u2019a de Vlamincka. Wystawa ta zyska\u0142a miano skandalu, a krytyk Louis Vauxcelles okre\u015bli\u0142 artyst\u00f3w mianem \u201efowist\u00f3w\u201d (od francuskiego <em data-start=\"1777\" data-end=\"1785\">fauves<\/em> \u2013 dzikie bestie).<\/p><p data-start=\"1807\" data-end=\"1942\">Manguin regularnie wystawia\u0142 swoje prace w Pary\u017cu oraz na mi\u0119dzynarodowych ekspozycjach, zdobywaj\u0105c uznanie kolekcjoner\u00f3w i krytyk\u00f3w.<\/p><h2 data-start=\"1949\" data-end=\"1990\"><strong data-start=\"1952\" data-end=\"1988\">Lata P\u00f3\u017aniejsze i Dziedzictwo<\/strong><\/h2><p data-start=\"1991\" data-end=\"2187\">Po I wojnie \u015bwiatowej Manguin osiedli\u0142 si\u0119 w Nicei, gdzie kontynuowa\u0142 malarstwo. Jego styl ewoluowa\u0142 w stron\u0119 bardziej \u0142agodnej palety barw, cho\u0107 nadal pozostawa\u0142 wierny fowistycznym za\u0142o\u017ceniom.<\/p><p data-start=\"2189\" data-end=\"2337\">Zmar\u0142 25 wrze\u015bnia 1949 roku w Saint-Tropez. Jego dorobek artystyczny pozostaje wa\u017cnym przyk\u0142adem fowistycznej ekspresji i francuskiego modernizmu.<\/p><h2 data-start=\"2344\" data-end=\"2368\"><strong data-start=\"2347\" data-end=\"2366\">Bibliografia<\/strong><\/h2><ul data-start=\"2370\" data-end=\"2704\" data-is-only-node=\"\"><li data-start=\"2370\" data-end=\"2442\">Dijkstra, Bram. <em data-start=\"2388\" data-end=\"2416\">Fauvism and Its Affinities<\/em>. Thames &amp; Hudson, 1992.<\/li><li data-start=\"2443\" data-end=\"2507\">Freeman, Judi. <em data-start=\"2460\" data-end=\"2481\">The Fauve Landscape<\/em>. Abbeville Press, 1990.<\/li><li data-start=\"2508\" data-end=\"2574\">Spurling, Hilary. <em data-start=\"2528\" data-end=\"2548\">Matisse the Master<\/em>. Alfred A. Knopf, 2005.<\/li><li data-start=\"2575\" data-end=\"2653\">Denys Sutton, <em data-start=\"2591\" data-end=\"2625\">Henri Manguin: A Fauvish Dreamer<\/em>, Art International, 1965.<\/li><li data-start=\"2654\" data-end=\"2704\">Strony muze\u00f3w: Mus\u00e9e d&#8217;Orsay, Centre Pompidou.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cd331de e-flex e-con-boxed e-con e-parent\" data-id=\"cd331de\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-151a31e elementor-widget elementor-widget-penci-image-gallery\" data-id=\"151a31e\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"1925\" id=\"penci-image_gallery_1925\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>Henri Manguin - Galeria Obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Anemones-et-mimosas-1943.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Zawilce i mimozy (1943)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:128.71794872%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Anemones-et-mimosas-1943-585x753.jpg\" alt=\"Zawilce i mimozy (1943)\" title=\"Zawilce i mimozy (1943)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Apples.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Jab\u0142ka\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:82.05128205%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Apples-585x480.jpg\" alt=\"Jab\u0142ka\" title=\"Jab\u0142ka\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Coin-de-table-fleurs-roses.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"R\u00f3g sto\u0142u, r\u00f3\u017cowe kwiaty\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:123.24786325%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Coin-de-table-fleurs-roses-585x721.jpg\" alt=\"R\u00f3g sto\u0142u, r\u00f3\u017cowe kwiaty\" title=\"R\u00f3g sto\u0142u, r\u00f3\u017cowe kwiaty\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dahlias.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Henri Manguin - Dalie\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:121.70940171%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dahlias-585x712.jpg\" alt=\"Henri Manguin - Dalie\" title=\"Henri Manguin &#8211; Dalie\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dormeuse.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dormeuse - Henri Manguin\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:72.82051282%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Dormeuse-585x426.jpg\" alt=\"Dormeuse - Henri Manguin\" title=\"Dormeuse &#8211; Henri Manguin\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Genevieve-Sauty-nue-lisant-1945.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Genevi\u00e8ve Sauty czytaj\u0105ca nago (1945)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:119.82905983%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Genevieve-Sauty-nue-lisant-1945-585x701.jpg\" alt=\"Genevi\u00e8ve Sauty czytaj\u0105ca nago (1945)\" title=\"Genevi\u00e8ve Sauty czytaj\u0105ca nago (1945)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Jeanne-dans-le-jardin-de-Neuilly.jpg\" data-rel=\"penci-gallery-image-content\"  data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:123.58974359%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Jeanne-dans-le-jardin-de-Neuilly-585x723.jpg\" alt=\"Jeanne w ogrodzie Neuilly\" title=\"Jeanne w ogrodzie Neuilly\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/LOdalisque-Grenouillette-1922.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Odaliska, Grenouillette (1922)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:73.33333333%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/LOdalisque-Grenouillette-1922-585x429.jpg\" alt=\"Odaliska, Grenouillette (1922)\" title=\"Odaliska, Grenouillette (1922)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-chemise-rose-Anita-1918.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"R\u00f3\u017cowa koszula, Anita (1918)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:67.00854701%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-chemise-rose-Anita-1918-585x392.jpg\" alt=\"R\u00f3\u017cowa koszula, Anita (1918)\" title=\"R\u00f3\u017cowa koszula, Anita (1918)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-Maison-dans-la-foret-Saint-Tropez-1924.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dom w lesie, Saint-Tropez (1924)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:81.36752137%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-Maison-dans-la-foret-Saint-Tropez-1924-585x476.jpg\" alt=\"Dom w lesie, Saint-Tropez (1924)\" title=\"Dom w lesie, Saint-Tropez (1924)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-robe-de-chambre-rouge-1902.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Czerwony szlafrok (1902)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:81.36752137%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/La-robe-de-chambre-rouge-1902-585x476.jpg\" alt=\"Czerwony szlafrok (1902)\" title=\"Czerwony szlafrok (1902)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Le-Chemin-derriere-lOustalet-Saint-Tropez-1919.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u015acie\u017cka za Oustalet, Saint-Tropez (1919)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:129.23076923%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Le-Chemin-derriere-lOustalet-Saint-Tropez-1919-585x756.jpg\" alt=\"\u015acie\u017cka za Oustalet, Saint-Tropez (1919)\" title=\"\u015acie\u017cka za Oustalet, Saint-Tropez (1919)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Le-Raincy-circa-1899-1900.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Henri Manguin - Deszcz\u00f3wka (1899-1900)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.61538462%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Le-Raincy-circa-1899-1900-585x729.jpg\" alt=\"Henri Manguin - Deszcz\u00f3wka (1899-1900)\" title=\"Henri Manguin &#8211; Deszcz\u00f3wka (1899-1900)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Les-Huitres-De-Belon.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ostrygi Belon\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:126.83760684%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Les-Huitres-De-Belon-585x742.jpg\" alt=\"Ostrygi Belon\" title=\"Ostrygi Belon\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Marie-1899.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Henri Manguin - Marie (1899)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:116.41025641%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Marie-1899-585x681.jpg\" alt=\"Henri Manguin - Marie (1899)\" title=\"Henri Manguin &#8211; Marie (1899)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Mimosas-dans-la-chocolatiere-1919.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Mimosy w maszynie do czekolady (1919)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_1925\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.44444444%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Mimosas-dans-la-chocolatiere-1919-585x728.jpg\" alt=\"Mimosy w maszynie do czekolady (1919)\" title=\"Mimosy w maszynie do czekolady (1919)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Nu-a-latelier-La-Croupe-Rue-Boursault-1903.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Nago 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decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2025\/03\/Voiliers-a-maree-basse-1931-585x473.jpg\" alt=\"\u017bagl\u00f3wki w czasie odp\u0142ywu (1931)\" title=\"\u017bagl\u00f3wki w czasie odp\u0142ywu (1931)\"><\/div><\/a><\/div><\/div><\/div>            <\/div>\n        <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Henri Charles Manguin &#8211; Wst\u0119p Henri Charles Manguin (1874\u20131949) by\u0142 francuskim malarzem postimpresjonistycznym, zaliczanym do nurtu fowizmu. Jego tw\u00f3rczo\u015b\u0107 charakteryzowa\u0142a si\u0119 \u017cyw\u0105 kolorystyk\u0105, dynamicznymi poci\u0105gni\u0119ciami p\u0119dzla i motywami pejza\u017cowymi, portretowymi&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[95,110],"tags":[46],"class_list":["post-3763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fowizm","category-postimpresjonizm","tag-malarz-francuski"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Henri Manguin - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"Henri Charles Manguin (1874\u20131949) by\u0142 francuskim malarzem postimpresjonistycznym, zaliczanym do nurtu fowizmu.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2025\/03\/02\/henri-manguin\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Henri Manguin - 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