{"id":2526,"date":"2024-01-19T12:06:10","date_gmt":"2024-01-19T11:06:10","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=2526"},"modified":"2024-01-19T12:20:36","modified_gmt":"2024-01-19T11:20:36","slug":"michelangelo-merisi-da-caravaggio","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2024\/01\/19\/michelangelo-merisi-da-caravaggio\/","title":{"rendered":"Michelangelo Merisi da Caravaggio"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2526\" class=\"elementor elementor-2526\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b8e0cc8 e-flex e-con-boxed e-con e-parent\" data-id=\"b8e0cc8\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-46b302e elementor-widget elementor-widget-text-editor\" data-id=\"46b302e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Michelangelo Merisi da Caravaggio, znany r\u00f3wnie\u017c jako Caravaggio, by\u0142 w\u0142oskim malarzem dzia\u0142aj\u0105cym na prze\u0142omie XVI i XVII wieku.\u00a0Urodzi\u0142 si\u0119 29 wrze\u015bnia 1571 roku w Mediolanie, a zmar\u0142 18 lipca 1610 roku w Porto Ercole ko\u0142o Monte Argentario.<\/p><h2>Caravaggio &#8211; wczesne lata (1571\u20131592)<\/h2><p>Malarz urodzi\u0142 si\u0119 w\u00a0 rodzinie Ferma Merisiego, by\u0142ego zarz\u0105dcy i architekta-dekoratora domu Francesca Sforzy, ksi\u0119cia Mediolanu, i Lucii Aratori, pochodz\u0105cej z bogatej mediola\u0144skiej rodziny. W 1576 roku rodzina przenios\u0142a si\u0119 do miejscowo\u015bci Caravaggio, uciekaj\u0105c przed szalej\u0105c\u0105 w Mediolanie zaraz\u0105. Fermo Merisi, ojciec malarza, zmar\u0142 w 1577 roku. Przypuszcza si\u0119, \u017ce artysta dorasta\u0142 w Caravaggio, ale jego rodzina nadal utrzymywa\u0142a kontakt ze Sforzami oraz z ich krewniakami Colonnami, kt\u00f3rzy w przysz\u0142o\u015bci wywarli du\u017cy wp\u0142yw na \u017cycie artysty.<\/p><p>W latach 1584\u20131588 artysta odbywa\u0142 praktyk\u0119 u malarza Simona Peterzana z Mediolanu, ucznia Tycjana. Po odbyciu praktyk artysta mia\u0142 pozosta\u0107 w Mediolanie. Przypuszcza si\u0119, \u017ce kr\u00f3tko po uko\u0144czeniu nauki m\u0142ody malarz odby\u0142 podr\u00f3\u017c do Wenecji, gdzie zapozna\u0142 si\u0119 z dzie\u0142ami Giorgionego. M\u00f3g\u0142by \u015bwiadczy\u0107 o tym fakt, \u017ce w p\u00f3\u017aniejszych latach zarzucano mu zbytnie wzorowanie si\u0119 na weneckim malarzu. Caravaggio zapozna\u0142 si\u0119 tak\u017ce z dzie\u0142ami sztuki, znajduj\u0105cymi si\u0119 w Mediolanie, w tym z obrazem Ostatnia Wieczerza Leonarda da Vinci, oraz regionaln\u0105 sztuk\u0105 Lombardii, kt\u00f3ra ceni\u0142a \u201eprostot\u0119 i zwracanie uwagi na detale\u201d.<\/p><h2>Rzym (1592\u20131600)<\/h2><p>W 1592 roku malarz przyby\u0142 do Rzymu, gdzie pracowa\u0142 dla kardyna\u0142a Francesco Maria Del Monte. W Rzymie artysta zyska\u0142 s\u0142aw\u0119 dzi\u0119ki swojemu stylowi malarskiemu, kt\u00f3ry cechowa\u0142 si\u0119 ostrych \u015bwiat\u0142ocieniem i realizmem. W 1595 roku namalowa\u0142 swoje pierwsze wielkie dzie\u0142o, M\u0119cze\u0144stwo \u015bw. Mateusza, dla ko\u015bcio\u0142a San Luigi dei Francesi w Rzymie, z kolei w 1599 roku artysta stworzy\u0142 obraz Madonna z Dzieci\u0105tkiem i \u015bw. Ann\u0105 dla ko\u015bcio\u0142a Sant\u2019Agostino w Rzymie.<\/p><h2>\u201eNajs\u0142ynniejszy malarz Rzymu\u201d (1600\u20131606)<\/h2><p>W latach 1600\u20131606 Caravaggio stworzy\u0142 wiele swoich najs\u0142ynniejszych dzie\u0142, w tym Ch\u0142opiec z koszem owoc\u00f3w, Narcyz, Judyta i Holofernes, \u015awi\u0119ty Franciszek z Asy\u017cu w ekstazie, Z\u0142o\u017cenie do grobu, Wniebowzi\u0119cie Marii, Wtajemniczenie \u015bw. Mateusza, Wskrzeszenie \u0141azarza, \u015awi\u0119ty Jan Chrzciciel, \u015awi\u0119ty Hieronim i Dawid z Goliatem.\u00a0<\/p><p>W 1606 roku artysta zabi\u0142 Ranuccio Tomassoni, co zmusi\u0142o go do ucieczki z Rzymu.<\/p><h2>Malta i Sycylia (1607\u20131610)<\/h2><p>Po opuszczeniu Rzymu malarz-awanturnik uda\u0142 si\u0119 na Malt\u0119, gdzie zosta\u0142 przyj\u0119ty do zakonu joannit\u00f3w. W 1608 roku artysta zosta\u0142 aresztowany za rany zadane jednemu z rycerzy zakonnych. Po ucieczce z Malty Caravaggio uda\u0142 si\u0119 na Sycyli\u0119, gdzie przebywa\u0142 w latach 1608\u20131609. W tym czasie namalowa\u0142 m.in. obraz Zmartwychwstanie \u0141azarza dla ko\u015bcio\u0142a San Lazzaro w Mesynie.<\/p><h2>\u015amier\u0107<\/h2><p>W 1610 roku Caravaggio wyruszy\u0142 z Neapolu do Rzymu, zmar\u0142 w drodze w Porto Ercole ko\u0142o Monte Argentario. Przyczyn\u0105 \u015bmierci by\u0142a prawdopodobnie gor\u0105czka malaryczna lub zatrucie o\u0142owiem, kt\u00f3re by\u0142o skutkiem d\u0142ugotrwa\u0142ego nara\u017cenia na metal w czasie malowania.<\/p><h2>Caravaggio &#8211; dziedzictwo<\/h2><p>Caravaggio by\u0142 jednym z najwa\u017cniejszych malarzy okresu wczesnego baroku. Jego styl malarski, cechuj\u0105cy si\u0119 ostrych \u015bwiat\u0142ocieniem i realizmem, wp\u0142yn\u0105\u0142 na rozw\u00f3j sztuki europejskiej. W swoich dzie\u0142ach artysta wyrzek\u0142 si\u0119 pi\u0119kna ludzkiego cia\u0142a, idealizowanego przez malarzy renesansowych, a zamiast tego wprowadzi\u0142 do swoich obraz\u00f3w naturalizm. Jego styl sta\u0142 si\u0119 wzorem dla malarzy epoki baroku, a jego dzie\u0142a s\u0105 dzi\u015b uwa\u017cane za arcydzie\u0142a sztuki.<\/p><p>Caravaggio by\u0142 zapomniany w wiekach XVIII i XIX, ale zosta\u0142 na nowo odkryty w XX stuleciu. Jego wp\u0142yw na sztuk\u0119 jest niepodwa\u017calny. Wprowadzenie ostrych \u015bwiate\u0142 i cieni, kt\u00f3re tworz\u0105 tr\u00f3jwymiarowo\u015b\u0107, by\u0142o rewolucyjne i wp\u0142yn\u0119\u0142o na rozw\u00f3j malarstwa europejskiego. Jego dzie\u0142a, takie jak Ch\u0142opiec z koszem owoc\u00f3w, Narcyz, Judyta i Holofernes, \u015awi\u0119ty Franciszek z Asy\u017cu w ekstazie, Z\u0142o\u017cenie do grobu, Wniebowzi\u0119cie Marii, Wtajemniczenie \u015bw.\u00a0Mateusza, Wskrzeszenie \u0141azarza, \u015awi\u0119ty Jan Chrzciciel, \u015awi\u0119ty Hieronim i Dawid z Goliatem, s\u0105 dzi\u015b uwa\u017cane za arcydzie\u0142a sztuki.<\/p><p>Dzi\u0119ki swojemu stylowi Caravaggio sta\u0142 si\u0119 jednym z najwa\u017cniejszych malarzy w historii sztuki. Jego dzie\u0142a s\u0105 nadal podziwiane i stanowi\u0105 inspiracj\u0119 dla wielu artyst\u00f3w.<\/p><h2>\u0179r\u00f3d\u0142a:<\/h2><ol><li>https:\/\/pl.wikipedia.org\/wiki\/Caravaggio<\/li><li>https:\/\/en.wikipedia.org\/wiki\/Caravaggio<\/li><li>https:\/\/zyciorysy.info\/caravaggio\/<\/li><li><a href=\"https:\/\/kronikidziejow.pl\/porady\/popelnil-morderstwo-i-uciekl-historia-awanturnika-i-geniusza-malarstwa-caravaggio\/\">kronikidziejow.pl<\/a><\/li><li>https:\/\/szlakami.pl\/obraz-nawrocenie-sw-pawla\/<\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-34c79e3 e-flex e-con-boxed e-con e-parent\" data-id=\"34c79e3\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cac5f35 elementor-widget elementor-widget-penci-image-gallery\" data-id=\"cac5f35\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"40038\" id=\"penci-image_gallery_40038\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>Caravaggio - Galeria Obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Alof-de-Wignacourt-1608.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Alof de Wignacourt (1608)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:146.25228519%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Alof-de-Wignacourt-1608.jpg\" alt=\"Alof de Wignacourt (1608)\" title=\"Alof de Wignacourt (1608)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Amor-Vincit-Omnia-1602-1603.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Amor Vincit Omnia (1602-1603)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:138.29059829%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Amor-Vincit-Omnia-1602-1603-585x809.jpg\" alt=\"Amor Vincit Omnia (1602-1603)\" title=\"Amor Vincit Omnia (1602-1603)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Bachus-okolo-1598.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - Bachus (oko\u0142o 1598)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:114.01709402%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Bachus-okolo-1598-585x667.jpg\" alt=\"Caravaggio - Bachus (oko\u0142o 1598)\" title=\"Caravaggio &#8211; Bachus (oko\u0142o 1598)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Meduza-1597-1598.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - Meduza (1597-1598)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:102.56410256%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Meduza-1597-1598-585x600.jpg\" alt=\"Caravaggio - Meduza (1597-1598)\" title=\"Caravaggio &#8211; Meduza (1597-1598)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Muzycy-1597.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - Muzycy (1597)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:75.72649573%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Muzycy-1597-585x443.jpg\" alt=\"Caravaggio - Muzycy (1597)\" title=\"Caravaggio &#8211; Muzycy (1597)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Narcyz-1597\u20131599.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - Narcyz (1597\u20131599)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:116.58119658%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Narcyz-1597\u20131599-585x682.jpg\" alt=\"Caravaggio - Narcyz (1597\u20131599)\" title=\"Caravaggio &#8211; Narcyz (1597\u20131599)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Portret-papieza-Urbana-VIII.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - Portret papie\u017ca Urbana VIII\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.44444444%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Portret-papieza-Urbana-VIII-585x728.jpg\" alt=\"Caravaggio - Portret papie\u017ca Urbana VIII\" title=\"Caravaggio &#8211; Portret papie\u017ca Urbana VIII\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Swiety-Franciszek-z-Asyzu-w-ekstazie.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Caravaggio - \u015awi\u0119ty Franciszek z Asy\u017cu w ekstazie\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:71.96581197%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Caravaggio-Swiety-Franciszek-z-Asyzu-w-ekstazie-585x421.jpg\" alt=\"Caravaggio - \u015awi\u0119ty Franciszek z Asy\u017cu w ekstazie\" title=\"Caravaggio &#8211; \u015awi\u0119ty Franciszek z Asy\u017cu w ekstazie\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Chlopiec-ugryziony-przez-jaszczurke-ok.-1894-1596.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ch\u0142opiec ugryziony przez jaszczurk\u0119 (ok. 1894-1596)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:135.55555556%;\"><\/span><img decoding=\"async\" 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(oko\u0142o 1607)\" title=\"Chrystus przy kolumnie (oko\u0142o 1607)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dawid-i-Goliat-1600.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dawid i Goliat (1600)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:112.82051282%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dawid-i-Goliat-1600-585x660.jpg\" alt=\"Dawid i Goliat (1600)\" title=\"Dawid i Goliat (1600)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dawid-z-glowa-Goliata-1600-1601.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dawid z g\u0142ow\u0105 Goliata (1600-1601)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:77.60683761%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dawid-z-glowa-Goliata-1600-1601-585x454.jpg\" alt=\"Dawid z g\u0142ow\u0105 Goliata (1600-1601)\" title=\"Dawid z g\u0142ow\u0105 Goliata (1600-1601)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Ecce-Homo-okolo-1605.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ecce Homo (oko\u0142o 1605)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:125.12820513%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Ecce-Homo-okolo-1605-585x732.jpg\" alt=\"Ecce Homo (oko\u0142o 1605)\" title=\"Ecce Homo (oko\u0142o 1605)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Judyta-scinajaca-glowe-Holofernesowi-1599.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Judyta \u015bcinaj\u0105ca g\u0142ow\u0119 Holofernesowi (1599)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:75.55555556%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Judyta-scinajaca-glowe-Holofernesowi-1599-585x442.jpg\" alt=\"Judyta \u015bcinaj\u0105ca g\u0142ow\u0119 Holofernesowi (1599)\" title=\"Judyta \u015bcinaj\u0105ca g\u0142ow\u0119 Holofernesowi (1599)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Judyta-scinajaca-Holofernesa-ok.-1598-1610.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Judyta \u015bcinaj\u0105ca Holofernesa (ok. 1598-1610)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:83.58974359%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Judyta-scinajaca-Holofernesa-ok.-1598-1610-585x489.jpg\" alt=\"Judyta \u015bcinaj\u0105ca Holofernesa (ok. 1598-1610)\" title=\"Judyta \u015bcinaj\u0105ca Holofernesa (ok. 1598-1610)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kanciarze-okolo-1595.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Kanciarze (oko\u0142o 1595)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:71.96581197%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kanciarze-okolo-1595-585x421.jpg\" alt=\"Kanciarze (oko\u0142o 1595)\" title=\"Kanciarze (oko\u0142o 1595)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" 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data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:145.19056261%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Madonna-Rozancowa-miedzy-1605-a-1607.jpg\" alt=\"Madonna R\u00f3\u017ca\u0144cowa (mi\u0119dzy 1605 a 1607)\" title=\"Madonna R\u00f3\u017ca\u0144cowa (mi\u0119dzy 1605 a 1607)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Madonna-z-Dzieciatkiem-i-sw.-Anna-1605-06.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna z Dzieci\u0105tkiem i \u015bw. Ann\u0105 (1605-06)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:143.76068376%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Madonna-z-Dzieciatkiem-i-sw.-Anna-1605-06-585x841.jpg\" alt=\"Madonna z Dzieci\u0105tkiem i \u015bw. Ann\u0105 (1605-06)\" title=\"Madonna z Dzieci\u0105tkiem i \u015bw. Ann\u0105 (1605-06)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Marta-i-Maria-Magdalena-ok.-1598.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Marta i Maria Magdalena (ok. 1598)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:73.16239316%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Marta-i-Maria-Magdalena-ok.-1598-585x428.jpg\" alt=\"Marta i Maria Magdalena (ok. 1598)\" title=\"Marta i Maria Magdalena (ok. 1598)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Meczenstwo-sw.-Mateusza-ok.-1599\u20131600.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"M\u0119cze\u0144stwo \u015bw. Mateusza (ok. 1599\u20131600)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:87.86324786%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Meczenstwo-sw.-Mateusza-ok.-1599\u20131600-585x514.jpg\" alt=\"M\u0119cze\u0144stwo \u015bw. Mateusza (ok. 1599\u20131600)\" title=\"M\u0119cze\u0144stwo \u015bw. Mateusza (ok. 1599\u20131600)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Mlody-Bachus-okolo-1593.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"M\u0142ody Bachus (oko\u0142o 1593)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:132.13675214%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Mlody-Bachus-okolo-1593-585x773.jpg\" alt=\"M\u0142ody Bachus (oko\u0142o 1593)\" title=\"M\u0142ody Bachus (oko\u0142o 1593)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Nawrocenie-sw.-Pawla-1600-01.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (1600-01)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:125.29914530%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Nawrocenie-sw.-Pawla-1600-01-585x733.jpg\" alt=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (1600-01)\" title=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (1600-01)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Nawrocenie-sw.-Pawla-ok.-1600.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (ok. 1600)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.95726496%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Nawrocenie-sw.-Pawla-ok.-1600-585x731.jpg\" alt=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (ok. 1600)\" title=\"Nawr\u00f3cenie \u015bw. Paw\u0142a (ok. 1600)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Odpoczynek-podczas-ucieczki-do-Egiptu-ok.-1597.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Odpoczynek podczas ucieczki do Egiptu (ok. 1597)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:80.68376068%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Odpoczynek-podczas-ucieczki-do-Egiptu-ok.-1597-585x472.jpg\" alt=\"Odpoczynek podczas ucieczki do Egiptu (ok. 1597)\" title=\"Odpoczynek podczas ucieczki do Egiptu (ok. 1597)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Ofiara-z-Izaaka-1603.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ofiara z Izaaka (1603)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:76.92307692%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Ofiara-z-Izaaka-1603-585x450.jpg\" alt=\"Ofiara z Izaaka (1603)\" title=\"Ofiara z Izaaka (1603)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Saint-Matthew-and-the-angel-circa-1602.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u015awi\u0119ty Mateusz i anio\u0142 (oko\u0142o 1602)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:156.58119658%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Saint-Matthew-and-the-angel-circa-1602-585x916.jpg\" alt=\"\u015awi\u0119ty Mateusz i anio\u0142 (oko\u0142o 1602)\" title=\"\u015awi\u0119ty Mateusz i anio\u0142 (oko\u0142o 1602)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Sleeping-Cupid-1600.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Sleeping Cupid (1600)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:61.53846154%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Sleeping-Cupid-1600-585x360.jpg\" alt=\"Sleeping Cupid (1600)\" title=\"Sleeping Cupid (1600)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Still-Life-with-Fruit-circa-1603.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Martwa natura z owocami (oko\u0142o 1603)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:62.39316239%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Still-Life-with-Fruit-circa-1603-585x365.jpg\" alt=\"Martwa natura z owocami (oko\u0142o 1603)\" title=\"Martwa natura z owocami (oko\u0142o 1603)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Supper-et-Emmaus-ca-1601.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Wieczerza i Emaus (ok. 1601)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:71.11111111%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Supper-et-Emmaus-ca-1601-585x416.jpg\" alt=\"Wieczerza i Emaus (ok. 1601)\" title=\"Wieczerza i Emaus (ok. 1601)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Sciecie-sw.-Jana-Chrzciciela-1608.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u015aci\u0119cie \u015bw. Jana Chrzciciela (1608)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_40038\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:69.05982906%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Sciecie-sw.-Jana-Chrzciciela-1608-585x404.jpg\" alt=\"\u015aci\u0119cie \u015bw. Jana Chrzciciela (1608)\" title=\"\u015aci\u0119cie \u015bw. 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<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Michelangelo Merisi da Caravaggio, znany r\u00f3wnie\u017c jako Caravaggio, by\u0142 w\u0142oskim malarzem dzia\u0142aj\u0105cym na prze\u0142omie XVI i XVII wieku.\u00a0Urodzi\u0142 si\u0119 29 wrze\u015bnia 1571 roku w Mediolanie, a zmar\u0142 18 lipca 1610&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[97],"tags":[42],"class_list":["post-2526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wczesny-barok","tag-wloski-malarz"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Michelangelo Merisi da Caravaggio - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"Caravaggio by\u0142 jednym z najwa\u017cniejszych malarzy okresu wczesnego baroku. 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