{"id":2278,"date":"2024-01-07T18:31:45","date_gmt":"2024-01-07T17:31:45","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=2278"},"modified":"2024-01-07T18:55:27","modified_gmt":"2024-01-07T17:55:27","slug":"george-stubbs","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2024\/01\/07\/george-stubbs\/","title":{"rendered":"George Stubbs"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2278\" class=\"elementor elementor-2278\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bb29b3f e-con-full e-flex e-con e-parent\" data-id=\"bb29b3f\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t<div class=\"elementor-element elementor-element-387a26e elementor-widget elementor-widget-text-editor\" data-id=\"387a26e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2>George Stubbs &#8211; wczesne \u017cycie i kariera<\/h2><p>Stubbs urodzi\u0142 si\u0119 25 sierpnia 1724 roku i zmar\u0142 10 lipca 1806 roku. By\u0142 angielskim malarzem, kt\u00f3ry jest najlepiej znany z malowania koni. Urodzi\u0142 si\u0119 w Liverpoolu, jako syn garbarza. Wczesn\u0105 cz\u0119\u015b\u0107 swojej kariery sp\u0119dzi\u0142 na p\u00f3\u0142nocy Anglii, maluj\u0105c portrety i rozwijaj\u0105c swoje zainteresowanie anatomi\u0105.<\/p><h2>Anatomia konia<\/h2><p>W p\u00f3\u017aniejszych latach 1740-tych mieszka\u0142 w Yorku i dostarcza\u0142 ilustracje do traktatu o po\u0142o\u017cnictwie. Po kr\u00f3tkiej wizycie w Rzymie w 1754 roku osiedli\u0142 si\u0119 w Lincolnshire, gdzie prowadzi\u0142 badania nad swoim g\u0142\u00f3wnym dzie\u0142em, \u201cAnatomia konia\u201d.<\/p><h2>Przeprowadzka do Londynu i dalsza kariera<\/h2><p>Oko\u0142o 1758 roku przeni\u00f3s\u0142 si\u0119 do Londynu, kt\u00f3ry pozosta\u0142 jego siedzib\u0105. Wczesnymi klientami jego obraz\u00f3w przedstawiaj\u0105cych wy\u015bcigi konne by\u0142o wielu szlachcic\u00f3w, kt\u00f3rzy za\u0142o\u017cyli Jockey Club. Podobnie jak <strong>Gainsborough<\/strong>, p\u00f3\u017aniej malowa\u0142 sceny z \u017cycia ch\u0142opskiego, a tak\u017ce studia dzikich i egzotycznych zwierz\u0105t. Znany by\u0142 r\u00f3wnie\u017c jako tw\u00f3rca grafik i obraz\u00f3w na emaliowanych p\u0142ytach z gliny.<\/p><h2>Dziedzictwo i wp\u0142yw<\/h2><p>Prace malarza by\u0142y bardzo cenione przez szlacht\u0119, kt\u00f3ra by\u0142a zwi\u0105zana z wy\u015bcigami konnymi i hodowl\u0105. W swoich obrazach, Stubbs skupia\u0142 si\u0119 na anatomicznych szczeg\u00f3\u0142ach koni, co czyni\u0142o jego prace niezwykle realistycznymi.<\/p><p>Jego wp\u0142yw na sztuk\u0119 jest trudny do przecenienia. Prace malarza by\u0142y inspiracj\u0105 dla wielu artyst\u00f3w, kt\u00f3rzy malowali konie. Jego technika malarska by\u0142a r\u00f3wnie\u017c innowacyjna, a jego podej\u015bcie do tematu koni by\u0142o nowatorskie. Wp\u0142yn\u0105\u0142 na rozw\u00f3j sztuki w Wielkiej Brytanii i na ca\u0142ym \u015bwiecie.<\/p><p>Jego prace s\u0105 nadal bardzo cenione i s\u0105 cz\u0119sto wystawiane w galeriach sztuki na ca\u0142ym \u015bwiecie.\u00a0W 2020 roku, obraz \u201cWhistlejacket\u201d zosta\u0142 wyeksponowany w National Gallery w Londynie, gdzie jest jednym z najwa\u017cniejszych dzie\u0142 sztuki w kolekcji muzeum.<\/p><h2>\u0179r\u00f3d\u0142a<\/h2><ol><li><a href=\"https:\/\/en.wikipedia.org\/wiki\/George_Stubbs\">George Stubbs &#8211; Wikipedia<\/a><\/li><li>https:\/\/www.thoughtco.com\/biography-of-george-stubbs-4777774<\/li><li>https:\/\/www.thehistoryofart.org\/george-stubbs\/<\/li><li>https:\/\/www.britannica.com\/biography\/George-Stubbs<\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2da7162 e-flex e-con-boxed e-con e-parent\" data-id=\"2da7162\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a9a1aa7 elementor-widget elementor-widget-penci-image-gallery\" data-id=\"a9a1aa7\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"26669\" id=\"penci-image_gallery_26669\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>George Stubbs - Galeria Obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Bialy-pies-wicehrabiego-Gormanstona-1781.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Bia\u0142y pies wicehrabiego Gormanstona (1781)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:64.61538462%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Bialy-pies-wicehrabiego-Gormanstona-1781-585x378.jpg\" alt=\"Bia\u0142y pies wicehrabiego Gormanstona (1781)\" title=\"Bia\u0142y pies wicehrabiego Gormanstona (1781)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Bialy-pudel-w-lodce-ok.-1780.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Bia\u0142y pudel w \u0142\u00f3dce (ok. 1780)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.27350427%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Bialy-pudel-w-lodce-ok.-1780-585x727.jpg\" alt=\"Bia\u0142y pudel w \u0142\u00f3dce (ok. 1780)\" title=\"Bia\u0142y pudel w \u0142\u00f3dce (ok. 1780)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Cialo-tygrysa-widok-z-boku-1795-do-1806.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Cia\u0142o tygrysa, widok z boku (1795 do 1806)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:69.74358974%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Cialo-tygrysa-widok-z-boku-1795-do-1806-585x408.jpg\" alt=\"Cia\u0142o tygrysa, widok z boku (1795 do 1806)\" title=\"Cia\u0142o tygrysa, widok z boku (1795 do 1806)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dwoch-drzentelmentow-w-drodze-na-polowanie-1768.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dw\u00f3ch drzentelment\u00f3w w drodze na polowanie (1768)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.48717949%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Dwoch-drzentelmentow-w-drodze-na-polowanie-1768-585x465.jpg\" alt=\"Dw\u00f3ch drzentelment\u00f3w w drodze na polowanie (1768)\" title=\"Dw\u00f3ch drzentelment\u00f3w w drodze na polowanie (1768)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Faeton-ksiecia-Walii.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Faeton ksi\u0119cia Walii\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:78.80341880%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Faeton-ksiecia-Walii-585x461.jpg\" alt=\"George Stubbs - Faeton ksi\u0119cia Walii\" title=\"George Stubbs &#8211; Faeton ksi\u0119cia Walii\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Faeton-z-para-kremowych-kucykow-i-stajennym-miedzy-1780-a-1784-rokiem.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Faeton z par\u0105 kremowych kucyk\u00f3w i stajennym (mi\u0119dzy 1780 a 1784 rokiem)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:65.12820513%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Faeton-z-para-kremowych-kucykow-i-stajennym-miedzy-1780-a-1784-rokiem-585x381.jpg\" alt=\"Faeton z par\u0105 kremowych kucyk\u00f3w i stajennym (mi\u0119dzy 1780 a 1784 rokiem)\" title=\"Faeton z par\u0105 kremowych kucyk\u00f3w i stajennym (mi\u0119dzy 1780 a 1784 rokiem)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Freeman-gajowy-hrabiego-Clarendon-z-umierajaca-lania-i-psem-1800.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Freeman, gajowy hrabiego Clarendon, z umieraj\u0105c\u0105 \u0142ani\u0105 i psem (1800)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:80.00000000%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Freeman-gajowy-hrabiego-Clarendon-z-umierajaca-lania-i-psem-1800-585x468.jpg\" alt=\"Freeman, gajowy hrabiego Clarendon, z umieraj\u0105c\u0105 \u0142ani\u0105 i psem (1800)\" title=\"Freeman, gajowy hrabiego Clarendon, z umieraj\u0105c\u0105 \u0142ani\u0105 i psem (1800)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Dynia-ze-stajennym-1774.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Dynia ze stajennym (1774)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:81.36752137%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Dynia-ze-stajennym-1774-585x476.jpg\" alt=\"George Stubbs - Dynia ze stajennym (1774)\" title=\"George Stubbs &#8211; Dynia ze stajennym (1774)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Odpoczynek-po-strzelaninie-1770.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Odpoczynek po strzelaninie (1770)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.65811966%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Odpoczynek-po-strzelaninie-1770-585x466.jpg\" alt=\"George Stubbs - Odpoczynek po strzelaninie (1770)\" title=\"George Stubbs &#8211; Odpoczynek po strzelaninie (1770)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Pangloss-1762.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Pangloss (1762)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:83.58974359%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Pangloss-1762-585x489.jpg\" alt=\"George Stubbs - Pangloss (1762)\" title=\"George Stubbs &#8211; Pangloss (1762)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Pies-goniacy-jelenia-ok.-1762.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Pies goni\u0105cy jelenia (ok. 1762)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:78.97435897%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Pies-goniacy-jelenia-ok.-1762-585x462.jpg\" alt=\"George Stubbs - Pies goni\u0105cy jelenia (ok. 1762)\" title=\"George Stubbs &#8211; Pies goni\u0105cy jelenia (ok. 1762)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Walka-bykow-1786.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Walka byk\u00f3w (1786)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:74.01709402%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Walka-bykow-1786-585x433.jpg\" alt=\"George Stubbs - Walka byk\u00f3w (1786)\" title=\"George Stubbs &#8211; Walka byk\u00f3w (1786)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Zebra-1763.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Zebra (1763)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.82905983%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Zebra-1763-585x467.jpg\" alt=\"George Stubbs - Zebra (1763)\" title=\"George Stubbs &#8211; Zebra (1763)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Hrabina-Coningsby-w-stroju-polowania-na-Charlton-ok.-1760.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Hrabina Coningsby w stroju polowania na Charlton (ok. 1760)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:85.81196581%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Hrabina-Coningsby-w-stroju-polowania-na-Charlton-ok.-1760-585x502.jpg\" alt=\"Hrabina Coningsby w stroju polowania na Charlton (ok. 1760)\" title=\"Hrabina Coningsby w stroju polowania na Charlton (ok. 1760)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kapitan-Samuel-Sharpe-Pocklington-z-zona-Pleasance-i-prawdopodobnie-siostra-Frances-1769.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Kapitan Samuel Sharpe Pocklington z \u017con\u0105 Pleasance i prawdopodobnie siostr\u0105 Frances (1769)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.14529915%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kapitan-Samuel-Sharpe-Pocklington-z-zona-Pleasance-i-prawdopodobnie-siostra-Frances-1769-585x463.jpg\" alt=\"Kapitan Samuel Sharpe Pocklington z \u017con\u0105 Pleasance i prawdopodobnie siostr\u0105 Frances (1769)\" title=\"Kapitan Samuel Sharpe Pocklington z \u017con\u0105 Pleasance i prawdopodobnie siostr\u0105 Frances (1769)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-przestraszony-przez-lwa-1770.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ko\u0144 przestraszony przez lwa (1770)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.82905983%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-przestraszony-przez-lwa-1770-585x467.jpg\" alt=\"Ko\u0144 przestraszony przez lwa (1770)\" title=\"Ko\u0144 przestraszony przez lwa (1770)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-przestraszony-przez-lwa-miedzy-1762-a-1768.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ko\u0144 przestraszony przez lwa (mi\u0119dzy 1762 a 1768)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:67.35042735%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-przestraszony-przez-lwa-miedzy-1762-a-1768-585x394.jpg\" alt=\"Ko\u0144 przestraszony przez lwa (mi\u0119dzy 1762 a 1768)\" title=\"Ko\u0144 przestraszony przez lwa (mi\u0119dzy 1762 a 1768)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-zaatakowany-przez-lwa-miedzy-1768-a-1769.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ko\u0144 zaatakowany przez lwa (mi\u0119dzy 1768 a 1769)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:87.35042735%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Kon-zaatakowany-przez-lwa-miedzy-1768-a-1769-585x511.jpg\" alt=\"Ko\u0144 zaatakowany przez lwa (mi\u0119dzy 1768 a 1769)\" title=\"Ko\u0144 zaatakowany przez lwa (mi\u0119dzy 1768 a 1769)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lew-atakujacy-jelenia-miedzy-1765-a-1766.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Lew atakuj\u0105cy jelenia (mi\u0119dzy 1765 a 1766)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:72.13675214%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lew-atakujacy-jelenia-miedzy-1765-a-1766-585x422.jpg\" alt=\"Lew atakuj\u0105cy jelenia (mi\u0119dzy 1765 a 1766)\" title=\"Lew atakuj\u0105cy jelenia (mi\u0119dzy 1765 a 1766)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lew-atakujacy-konia-1762.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Lew atakuj\u0105cy konia (1762)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:76.58119658%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lew-atakujacy-konia-1762-585x448.jpg\" alt=\"Lew atakuj\u0105cy konia (1762)\" title=\"Lew atakuj\u0105cy konia (1762)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lustre-trzymany-przez-pana-mlodego-ok.-1762.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Lustre, trzymany przez pana m\u0142odego (ok. 1762)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:80.17094017%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lustre-trzymany-przez-pana-mlodego-ok.-1762-585x469.jpg\" alt=\"Lustre, trzymany przez pana m\u0142odego (ok. 1762)\" title=\"Lustre, trzymany przez pana m\u0142odego (ok. 1762)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lowca-trzeciego-ksiecia-Dorset-z-panem-mlodym-i-psem-1768.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u0141owca trzeciego ksi\u0119cia Dorset z panem m\u0142odym i psem (1768)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.82905983%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Lowca-trzeciego-ksiecia-Dorset-z-panem-mlodym-i-psem-1768-585x467.jpg\" alt=\"\u0141owca trzeciego ksi\u0119cia Dorset z panem m\u0142odym i psem (1768)\" title=\"\u0141owca trzeciego ksi\u0119cia Dorset z panem m\u0142odym i psem (1768)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Malpa-1799.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Ma\u0142pa (1799)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:126.66666667%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Malpa-1799-585x741.jpg\" alt=\"Ma\u0142pa (1799)\" title=\"Ma\u0142pa (1799)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Molly-Dlugonoga-ze-swoim-dzokejem-miedzy-1761-a-1762.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Molly D\u0142ugonoga ze swoim d\u017cokejem (mi\u0119dzy 1761 a 1762)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.48717949%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Molly-Dlugonoga-ze-swoim-dzokejem-miedzy-1761-a-1762-585x465.jpg\" alt=\"Molly D\u0142ugonoga ze swoim d\u017cokejem (mi\u0119dzy 1761 a 1762)\" title=\"Molly D\u0142ugonoga ze swoim d\u017cokejem (mi\u0119dzy 1761 a 1762)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Murawa-z-dzokejem-w-gorze-w-Newmarket-ok.-1766.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Murawa z d\u017cokejem w g\u00f3rze w Newmarket (ok. 1766)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:79.14529915%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Murawa-z-dzokejem-w-gorze-w-Newmarket-ok.-1766-585x463.jpg\" alt=\"Murawa z d\u017cokejem w g\u00f3rze w Newmarket (ok. 1766)\" title=\"Murawa z d\u017cokejem w g\u00f3rze w Newmarket (ok. 1766)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Osiodlany-mysliwy-z-zatoki-1786.jpg\" 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data-cap=\"Za\u0107mienie\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:65.47008547%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Zacmienie-585x383.jpg\" alt=\"Za\u0107mienie\" title=\"Za\u0107mienie\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Zniwiarze.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u017bniwiarze\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:73.67521368%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/Zniwiarze-585x431.jpg\" alt=\"\u017bniwiarze\" title=\"\u017bniwiarze\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Whistlejacket-scaled.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"George Stubbs - Whistlejacket\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_26669\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:119.82905983%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2024\/01\/George-Stubbs-Whistlejacket-585x701.jpg\" alt=\"George Stubbs - Whistlejacket\" title=\"George Stubbs &#8211; Whistlejacket\"><\/div><\/a><\/div><\/div><\/div>            <\/div>\n        <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>George Stubbs &#8211; wczesne \u017cycie i kariera Stubbs urodzi\u0142 si\u0119 25 sierpnia 1724 roku i zmar\u0142 10 lipca 1806 roku. By\u0142 angielskim malarzem, kt\u00f3ry jest najlepiej znany z malowania koni.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[88,87],"tags":[85,86],"class_list":["post-2278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neoklasycyzm","category-rokoko","tag-brytyjski-malarz","tag-konie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>George Stubbs - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"George Stubbs, brytyjski malarz, zyska\u0142 s\u0142aw\u0119 jako jeden z najwa\u017cniejszych przedstawicieli malarstwa zwierz\u0105t w historii sztuki brytyjskiej.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2024\/01\/07\/george-stubbs\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"George Stubbs - 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