{"id":2091,"date":"2023-12-19T16:03:31","date_gmt":"2023-12-19T15:03:31","guid":{"rendered":"https:\/\/www.encyklopediamalarstwa.pl\/?p=2091"},"modified":"2024-01-03T16:26:24","modified_gmt":"2024-01-03T15:26:24","slug":"andrea-dagnolo-di-francesco","status":"publish","type":"post","link":"https:\/\/www.encyklopediamalarstwa.pl\/index.php\/2023\/12\/19\/andrea-dagnolo-di-francesco\/","title":{"rendered":"Andrea del Sarto"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2091\" class=\"elementor elementor-2091\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b92b954 e-flex e-con-boxed e-con e-parent\" data-id=\"b92b954\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f4c67c5 elementor-widget elementor-widget-text-editor\" data-id=\"f4c67c5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2>Andrea del Sarto: Mistrz Malarstwa W\u0142oskiego Renesansu<\/h2><p>Andrea d\u2019Agnolo di Francesco, znany r\u00f3wnie\u017c jako\u00a0<strong>Andrea del Sarto<\/strong>, urodzi\u0142 si\u0119\u00a0<strong>16 lipca 1486 roku<\/strong>\u00a0w\u00a0<strong>Gualfonda<\/strong>, niedaleko Florencji, a zmar\u0142\u00a0<strong>29 wrze\u015bnia 1530 roku<\/strong> w samym sercu Florencji. Jego tw\u00f3rczo\u015b\u0107 stanowi wa\u017cny wk\u0142ad w naturalistyczn\u0105 reformacj\u0119 renesansu, widoczn\u0105 p\u00f3\u017aniej w pracach malarzy manierystycznych.<\/p><h3>Andrea del Sarto &#8211; wczesne lata i styl<\/h3><p>Malarz pocz\u0105tkowo kszta\u0142ci\u0142 si\u0119 jako z\u0142otnik i rze\u017abiarz, a nast\u0119pnie odby\u0142 praktyki malarskie u Piero di Cosimo (1462\u20131522) i Raffaellino del Garbo (1466\u20131524). Jego wczesne dzie\u0142a charakteryzuj\u0105 si\u0119 indywidualnym stylem, nieidealistycznym i nieformalnym przedstawieniem postaci, wykorzystuj\u0105cym wyrafinowany efekt tonalny i atmosfer\u0119.<\/p><h3>Wp\u0142yw na sztuk\u0119 florenck\u0105<\/h3><p>Wsp\u00f3\u0142pracuj\u0105c z innymi artystami, takimi jak Franciabigio (1482\u20131525) i Andrea Feltrini, Andrea d\u2019Agnolo di Francesco stworzy\u0142 freski dla ko\u015bcio\u0142a Santissima Annunziata di Firenze we Florencji. Jego prace, takie jak cykl \u201c\u017bycie Filippa Benizziego\u201d czy \u201cPodr\u00f3\u017c Trzech Kr\u00f3li\u201d, przyczyni\u0142y si\u0119 do ugruntowania jego pozycji jako czo\u0142owego malarza florenckiego w latach 1513\u20131514.<\/p><h3>Arcydzie\u0142o i powr\u00f3t do Florencji<\/h3><p>W 1517 roku artysta stworzy\u0142 swoje arcydzie\u0142o \u2013 o\u0142tarz dla klasztoru San Francesco dei Macci, zatytu\u0142owany \u201cMadonna Harpii\u201d. Obecnie dzie\u0142o to mo\u017cna podziwia\u0107 w Galerii Uffizi w\u015br\u00f3d innych prac artysty. Wkr\u00f3tce potem sp\u0119dzi\u0142 kr\u00f3tki okres na dworze Franciszka I, kr\u00f3la Francji. Jednak atrakcyjne zlecenia od rodziny Medyceuszy sk\u0142oni\u0142y go do powrotu do Florencji, gdzie jego naturalistyczny styl mia\u0142 wp\u0142yw na tw\u00f3rczo\u015b\u0107 artyst\u00f3w toska\u0144skich okresu kontrreformacji.<\/p><h3>Dziedzictwo<\/h3><p>Artysta nie osi\u0105gn\u0105\u0142 takiej s\u0142awy jak jego wsp\u00f3\u0142cze\u015bni, tacy jak Rafael, Leonardo da Vinci czy Micha\u0142 Anio\u0142, niemniej jednak jego wp\u0142yw na malarstwo florenckie i rozw\u00f3j stylu naturalistycznego jest niezaprzeczalny. Jego warsztat by\u0142 miejscem, w kt\u00f3rym kszta\u0142towali si\u0119 inni arty\u015bci, tak jak Giorgio Vasari, Rosso Fiorentino i Jacopo Pontormo.<\/p><p>Andrea d\u2019Agnolo di Francesco pozostaje postaci\u0105 fascynuj\u0105c\u0105 i wa\u017cn\u0105 w historii sztuki, a jego prace wci\u0105\u017c zachwycaj\u0105 obserwator\u00f3w na ca\u0142ym \u015bwiecie.<\/p><h3>\u0179r\u00f3d\u0142a:<\/h3><ol><li>https:\/\/en.wikipedia.org\/wiki\/Andrea_del_Sarto<\/li><li>https:\/\/www.wikiwand.com\/fr\/Andrea_del_Sarto<\/li><li>http:\/\/www.visual-arts-cork.com\/old-masters\/andrea-del-sarto.htm<\/li><li>https:\/\/www.nationalgallery.org.uk\/artists\/andrea-del-sarto<\/li><li><a href=\"https:\/\/www.virtualuffizi.com\/andrea-d\">https:\/\/www.virtualuffizi.com\/andrea-d<\/a><\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0f091f7 e-flex e-con-boxed e-con e-parent\" data-id=\"0f091f7\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3fda15c elementor-widget elementor-widget-penci-image-gallery\" data-id=\"3fda15c\" data-element_type=\"widget\" data-widget_type=\"penci-image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t        <div data-sliderid=\"89707\" id=\"penci-image_gallery_89707\"\n             class=\"penci-block-vc penci-image-gallery penci-image-gallery-masonry\">\n\t\t\t        <div class=\"penci-border-arrow penci-homepage-title penci-home-latest-posts style-1 pcalign-center pciconp-right pcicon-right block-title-icon-left\">\r\n            <h3 class=\"inner-arrow\">\r\n                <span>\r\n                    <span>Andrea d\u2019Agnolo di Francesco - Galeria obraz\u00f3w<\/a>                <\/span>\r\n            <\/h3>\r\n\t\t\t        <\/div>\r\n\t\t            <div class=\"penci-block_content \">\n\t\t\t\t<div class=\"penci-post-gallery-container masonry column-3\" data-height=\"150\" data-margin=\"3\"><div class=\"inner-gallery-masonry-container\"><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Andrea-del-Sarto-Ofiara-Izaaka-ok.-1527.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Andrea del Sarto - Ofiara Izaaka (ok. 1527)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:128.20512821%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Andrea-del-Sarto-Ofiara-Izaaka-ok.-1527-585x750.jpg\" alt=\"Andrea del Sarto - Ofiara Izaaka (ok. 1527)\" title=\"Andrea del Sarto &#8211; Ofiara Izaaka (ok. 1527)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dama-z-ksiega-rymow-Petrarki-1528.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dama z ksi\u0119g\u0105 rym\u00f3w Petrarki (1528)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:121.19658120%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dama-z-ksiega-rymow-Petrarki-1528-585x709.jpg\" alt=\"Dama z ksi\u0119g\u0105 rym\u00f3w Petrarki (1528)\" title=\"Dama z ksi\u0119g\u0105 rym\u00f3w Petrarki (1528)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dzialalnosc-charytatywna-przed-1530-r.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dzia\u0142alno\u015b\u0107 charytatywna (przed 1530 r.)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:129.74358974%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dzialalnosc-charytatywna-przed-1530-r-585x759.jpg\" alt=\"Dzia\u0142alno\u015b\u0107 charytatywna (przed 1530 r.)\" title=\"Dzia\u0142alno\u015b\u0107 charytatywna (przed 1530 r.)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dziewica-z-Dzieciatkiem-i-Dzieciatkiem-Chrzcicielem-ok.-1517-ok.-1519.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Dziewica z Dzieci\u0105tkiem i Dzieci\u0105tkiem Chrzcicielem (ok. 1517 - ok. 1519)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:129.23076923%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Dziewica-z-Dzieciatkiem-i-Dzieciatkiem-Chrzcicielem-ok.-1517-ok.-1519-585x756.jpg\" alt=\"Dziewica z Dzieci\u0105tkiem i Dzieci\u0105tkiem Chrzcicielem (ok. 1517 - ok. 1519)\" title=\"Dziewica z Dzieci\u0105tkiem i Dzieci\u0105tkiem Chrzcicielem (ok. 1517 &#8211; ok. 1519)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-of-the-Harpies-1517.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna of the Harpies (1517)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:118.80341880%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-of-the-Harpies-1517-585x695.jpg\" alt=\"Madonna of the Harpies (1517)\" title=\"Madonna of the Harpies (1517)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-z-Dzieciatkiem-i-sw.-Janem.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:133.33333333%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-z-Dzieciatkiem-i-sw.-Janem-585x780.jpg\" alt=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem\" title=\"Madonna z Dzieci\u0105tkiem i \u015bw. Janem\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-z-Dzieciatkiem-Jezus-i-sw.-Janem-1500-1525.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Madonna z Dzieci\u0105tkiem Jezus i \u015bw. Janem (1500-1525)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:124.61538462%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Madonna-z-Dzieciatkiem-Jezus-i-sw.-Janem-1500-1525-585x729.jpg\" alt=\"Madonna z Dzieci\u0105tkiem Jezus i \u015bw. Janem (1500-1525)\" title=\"Madonna z Dzieci\u0105tkiem Jezus i \u015bw. Janem (1500-1525)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Na-tronie-Madonna-z-Dzieciatkiem-i-osmioma-swietymi-1528.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Na tronie Madonna z Dzieci\u0105tkiem i o\u015bmioma \u015bwi\u0119tymi (1528)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:115.89743590%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Na-tronie-Madonna-z-Dzieciatkiem-i-osmioma-swietymi-1528-585x678.jpg\" alt=\"Na tronie Madonna z Dzieci\u0105tkiem i o\u015bmioma \u015bwi\u0119tymi (1528)\" title=\"Na tronie Madonna z Dzieci\u0105tkiem i o\u015bmioma \u015bwi\u0119tymi (1528)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Portret-kobiety-ok.-1518.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Portret kobiety (ok. 1518)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:133.33333333%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Portret-kobiety-ok.-1518-585x780.jpg\" alt=\"Portret kobiety (ok. 1518)\" title=\"Portret kobiety (ok. 1518)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Portret-mezczyzny-1528\u201329.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Portret m\u0119\u017cczyzny (1528\u201329)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:134.18803419%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Portret-mezczyzny-1528\u201329-585x785.jpg\" alt=\"Portret m\u0119\u017cczyzny (1528\u201329)\" title=\"Portret m\u0119\u017cczyzny (1528\u201329)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Studium-do-glowy-sw.-Jozefa-1526\u20131527.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"Studium do g\u0142owy \u015bw. J\u00f3zefa (1526\u20131527)\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:164.27104723%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Studium-do-glowy-sw.-Jozefa-1526\u20131527.jpg\" alt=\"Studium do g\u0142owy \u015bw. J\u00f3zefa (1526\u20131527)\" title=\"Studium do g\u0142owy \u015bw. J\u00f3zefa (1526\u20131527)\"><\/div><\/a><\/div><div class=\"item-gallery-masonry\"><a class=\"penci-gallery-ite item-link-relative\" href=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Swieta-Rodzina-1.jpg\" data-rel=\"penci-gallery-image-content\"  data-cap=\"\u015awi\u0119ta Rodzina\" data-rel=\"penci-gallery-image-content\" data-idwrap=\"penci-image_gallery_89707\"><div class=\"inner-item-masonry-gallery\"><span class=\"penci-isotope-padding\" style=\"padding-bottom:122.22222222%;\"><\/span><img decoding=\"async\" src=\"https:\/\/www.encyklopediamalarstwa.pl\/wp-content\/uploads\/2023\/12\/Swieta-Rodzina-1-585x715.jpg\" alt=\"\u015awi\u0119ta Rodzina\" title=\"\u015awi\u0119ta Rodzina\"><\/div><\/a><\/div><\/div><\/div>            <\/div>\n        <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Andrea del Sarto: Mistrz Malarstwa W\u0142oskiego Renesansu Andrea d\u2019Agnolo di Francesco, znany r\u00f3wnie\u017c jako\u00a0Andrea del Sarto, urodzi\u0142 si\u0119\u00a016 lipca 1486 roku\u00a0w\u00a0Gualfonda, niedaleko Florencji, a zmar\u0142\u00a029 wrze\u015bnia 1530 roku w samym&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[65],"tags":[42],"class_list":["post-2091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-renesans","tag-wloski-malarz"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrea del Sarto - Encyklopedia Malarstwa<\/title>\n<meta name=\"description\" content=\"Andrea d\u2019Agnolo di Francesco, znany r\u00f3wnie\u017c jako Andrea del Sarto. 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